Film: "Mirch; Cast: Raima Sen, Konkona Sen Sharma, Rajpal Yadav Arunodoy Singh, Shreyas Talpade, Sushant Singh, Shahana Goswami, screenwriter and director Vinay Shukla, Rating: ***
"Mirch, a" tikhi, spicy and delicious use of sex, the playboy stolen furtive pleasures in everyday life. Instead, he was half an exotic dishes more tempting really delivers for promises.
Vinay Shukla's latest film "Dil Se Poochhe Koi only" what happened eight years ago, best forgotten. But before her film "Godmother" was set up and especially by the dominant power politician Shabana Azmi in rural Gujarat to begin separating the male bastion with their nonsense approach to life and politics.
"Mirch is the policy of gender. The hotel is located in two different time zones, provide that the" delay "and contemporary images of the male gaze, as it falls on female sexuality. Each of the four floors has its protagonist, by Raima Sen and Konkona Sen Sharma on two floors, each played with a high libido that want nothing to hide.
In each story is the woman caught in flagrante delicto by her husband is "only" with a lover. How sexually liberated woman in every story is twisted out of the crisis is the master bedroom comedy about a quartet of stories.
The four stories, apparently derived from old stories and are not intentionally Panchtantra delicious results convincingly to be outrageously funny story yet. The stories almost done, put a smile on our faces.
Shukla should not, for his handling of an intelligent and smart and bold idea. Strong gestures of a sexual nature, especially in a woman for the film very little poetry. When bound lust love tends to lose its luster lyrical.
Shukla fires its two heroines with some sensitivity, but not much space in the satirical story of the horns of the subtlety that builds the space for the keys of the tender and fleeting moments of intimacy to stop.
Raima big bright eyes give a certain grace, his character in the past and present. However, Konkona performance in its two stories suffer from a lack of grace inherent in the characters. And the actress does not seem to enjoy the process of reading these "ugly" character.
In his piece "Time", Konkona flatters her husband real (Prem Chopra) to climb a tree to see her make love Senapati.
What could be a fun for the players and fun for the spectators a situation?
Stop.
Interestingly, Singh and Shukla Arunodoy as an object of the film is sex. Female characters in three stories makes him covet, if they believe that their husbands are not present.
To create some distance from places absurd parody creates Shukla a film in the film, the format in which an idealistic young filmmakers in trouble (Arunodoy) and his girlfriend (Shahana Goswami) attempt a clever producer (Sushant Singh) to convince To produce a film that has a lot of sex, humor and drama.
The stories that the young filmmaker said cynically in "Mirch producers are the stories the public can see the filmmaker is not so young, Shukla said, with a mix of passion coupe and half-formed sensibility. Some but not all, is interesting. In the issue of creative engagement that triggers the action of four floors, is "Mirch" really fix it?
The question becomes important when Mahi Gill appears for a choreography by Saroj Khan item song in the final.
"Mirch, a" tikhi, spicy and delicious use of sex, the playboy stolen furtive pleasures in everyday life. Instead, he was half an exotic dishes more tempting really delivers for promises.
Vinay Shukla's latest film "Dil Se Poochhe Koi only" what happened eight years ago, best forgotten. But before her film "Godmother" was set up and especially by the dominant power politician Shabana Azmi in rural Gujarat to begin separating the male bastion with their nonsense approach to life and politics.
"Mirch is the policy of gender. The hotel is located in two different time zones, provide that the" delay "and contemporary images of the male gaze, as it falls on female sexuality. Each of the four floors has its protagonist, by Raima Sen and Konkona Sen Sharma on two floors, each played with a high libido that want nothing to hide.
In each story is the woman caught in flagrante delicto by her husband is "only" with a lover. How sexually liberated woman in every story is twisted out of the crisis is the master bedroom comedy about a quartet of stories.
The four stories, apparently derived from old stories and are not intentionally Panchtantra delicious results convincingly to be outrageously funny story yet. The stories almost done, put a smile on our faces.
Shukla should not, for his handling of an intelligent and smart and bold idea. Strong gestures of a sexual nature, especially in a woman for the film very little poetry. When bound lust love tends to lose its luster lyrical.
Shukla fires its two heroines with some sensitivity, but not much space in the satirical story of the horns of the subtlety that builds the space for the keys of the tender and fleeting moments of intimacy to stop.
Raima big bright eyes give a certain grace, his character in the past and present. However, Konkona performance in its two stories suffer from a lack of grace inherent in the characters. And the actress does not seem to enjoy the process of reading these "ugly" character.
In his piece "Time", Konkona flatters her husband real (Prem Chopra) to climb a tree to see her make love Senapati.
What could be a fun for the players and fun for the spectators a situation?
Stop.
Interestingly, Singh and Shukla Arunodoy as an object of the film is sex. Female characters in three stories makes him covet, if they believe that their husbands are not present.
To create some distance from places absurd parody creates Shukla a film in the film, the format in which an idealistic young filmmakers in trouble (Arunodoy) and his girlfriend (Shahana Goswami) attempt a clever producer (Sushant Singh) to convince To produce a film that has a lot of sex, humor and drama.
The stories that the young filmmaker said cynically in "Mirch producers are the stories the public can see the filmmaker is not so young, Shukla said, with a mix of passion coupe and half-formed sensibility. Some but not all, is interesting. In the issue of creative engagement that triggers the action of four floors, is "Mirch" really fix it?
The question becomes important when Mahi Gill appears for a choreography by Saroj Khan item song in the final.
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