Tron is a thing of beauty. That's what ignore everyone this week that the marketing budget last Titan roars into Disney movies, eager for the masses into a frenzy just before consumption-oriented beat seems to be, but it's true "Oh Holy Night". : Tron: Legacy, born to the idea of a young director Joseph Kosinski and Comic-Con to take quantity at this point I had no expectations of a project, is a beautiful experience, it can remain as a beautiful disaster in memory but . nice, though.
The big problem is that after several years later, three Comic-Con and millions of dollars in marketing, it is difficult for the fans, hard to accept a concept so cool could produce a film as mediocre is invested. It is a difficult concept to swallow. What I saw on that fateful day in July at Comic-Con 2008, the gate, completely realized in a new and exciting. It was bold and elegant, fast and exciting. It also included Jeff Bridges, our own yearning for the champion. This latest version has all these things. He added that what makes a problem.
Consider the story unfortunately mediocre and repetitive story woven by former Lost writer Edward Kitsis and Adam Horowitz. Sam Flynn (Garrett Hedlund) was a child when her father (Jeff Bridges), Kevin has mysteriously disappeared, so that her legacy to the technology known as Encom. A few years later, Sam is a thorn in the company, a joke about the technology giant this year could have a majority of the shares. And shortly after his last round, by Alan Bradley (Bruce Boxleitner), the oldest friend of his father will be visited. This page is received in the office of Kevin Hall of the former Flynn. A short walk later, Ducati, Sam Flynn in the familiar in a seat with a laser system to the implementation of game
Suddenly, the beauty of the Tron Legacy occurs when Sam comes roaring the network. With a flash of energy - Sam in the digital player is high-flying acrobatics involved - the energy is only emphasizes the film on its 2 hours and 7 minutes remaining have. Slices of light are shot, the light cycles at breakneck speed and for a moment to run but director Joe Kosinski of the world why he has been elected Tron, and why Disney spent so much money on your project. A wave of blue and yellow to bring carry out the grid impressive. It is in the truest sense of the word "genius". Inspires fear. This is the version of Tron that the fans for a 3D world for the arrival of the children have been waiting for the rich and vibrant with a new generation and make the purchase of toys light cycle left and right. Through the work of a few digital effects obviously costly, are Legacy us something very special.
But it only takes 20 minutes.
After this action scene we learn that Kevin Flynn still lives in the computer, gray-haired, old and trapped in a digital copy of the same name clusters (of a young bridges over others did not play so impressive CGI). Meeting with Kevin and his apprentice digital Quorra (Olivia Wilde), Sam comes up with a plan to the network clusters to share rule and his father back in the real world. One hour of exposure and various warnings later, you return to this mission.
It would be easy to make a punching bag of the script for Tron: Legacy. Is (almost) the allegory of Christ vomits in 1982 original, putting Sam Flynn in the game as "the Son of the Creator," hero of the oppressed masses of programs. And spend time talking to his audience and said, years of development of the system since the last film. But perhaps his greatest crime is lack of ambition. We live in a society where zeros and ones, which keeps us the "inside" near our factory own digital worlds at any time. That was not true in 1982 when Steve Lisberger and the first team to put our world of Tron. However, insists on maintaining the legacy feel outdated. Not only the inside of the machine when it is useful, but turns the machine on the premises of the cold in the conference room Encom. What? Software piracy? How progressive ...
Once again, it would be difficult to make a punching bag in this story. Not even worth starting the dialogue. Not that it makes no sense. In general, almost everything that happens good inLegacy the logic of the film. It is this lack of ambition and commitment to make unnecessary exposure to soft, which the second act of the film cold, sterile feeling. Color palette of the film, it's dark in the world of computers, but stagnation causes the eyes to go blurry. If Tron need anything, much less talk and more action to be.
Not only because it is necessary to accelerate, but also because that's where the film keeps its promise. Offers many spectacular action sequences and right now, everything works. stunning visual effects, a score kicks ass Daft Punk and even charisma Garrett Hedlund star is only the canvas in brilliant 3D. For these fateful moments, Tron: Legacy is an experiment.
That's Tron: Legacy will remain as beautiful disaster. At one point, with visual effects and action unlike anything we have seen before. Then, in another, shows us a CGI Jeff Bridges, which hardly comparable with The Polar Express Tom Hanks previously for five years. The world of Tron is built beautifully, but also mechanical and unattractive. Bachelor Pad is the scene of the film - boring, boring, but full of shiny toys and danger. Daft Punk results of the case in some points to perfection, with a mixture of nostalgia and modern rhythms, which is the only thing that keeps the movie. The performances are solid, even when working with uninspired dialogue. And Jeff Bridges.
Ultimately Tron: Legacy is a hell of a puzzle. We were promised it would be a cool movie. And sometimes a very cool movie. Had a much better film for the price Disney paid for it and scarf for the masses? Sure. Have you built a level of ridicule by his predecessor, an incredible legacy to live with? No, forget all of us, that the original Tron corny as it may be, usually a hole with great special effects were added. Legacy is simply the realization of that day. And as what has preceded, Tron Legacy nerve strike Geek dazzle the crowds and find their place in the heart of a niche audience. Because if he comes back, so cold that we seek.
And, oh boy, brings freshness.
Beyond: stunning graphics, excellent use of digital 3D and all fees are to go to a movie. And the guests of Daft Punk, Daft Punk oh guests.
The disadvantage is sometimes cold, mechanical and lifeless. Equipped with a story that lacks ambition and relentless delivery of the exposure.
On the side: unlike most of his contemporaries, was this film in 3D from the beginning rather than later shot post-production. The photographic material is used, a step further generation of 3D technology used online.
The big problem is that after several years later, three Comic-Con and millions of dollars in marketing, it is difficult for the fans, hard to accept a concept so cool could produce a film as mediocre is invested. It is a difficult concept to swallow. What I saw on that fateful day in July at Comic-Con 2008, the gate, completely realized in a new and exciting. It was bold and elegant, fast and exciting. It also included Jeff Bridges, our own yearning for the champion. This latest version has all these things. He added that what makes a problem.
Consider the story unfortunately mediocre and repetitive story woven by former Lost writer Edward Kitsis and Adam Horowitz. Sam Flynn (Garrett Hedlund) was a child when her father (Jeff Bridges), Kevin has mysteriously disappeared, so that her legacy to the technology known as Encom. A few years later, Sam is a thorn in the company, a joke about the technology giant this year could have a majority of the shares. And shortly after his last round, by Alan Bradley (Bruce Boxleitner), the oldest friend of his father will be visited. This page is received in the office of Kevin Hall of the former Flynn. A short walk later, Ducati, Sam Flynn in the familiar in a seat with a laser system to the implementation of game
Suddenly, the beauty of the Tron Legacy occurs when Sam comes roaring the network. With a flash of energy - Sam in the digital player is high-flying acrobatics involved - the energy is only emphasizes the film on its 2 hours and 7 minutes remaining have. Slices of light are shot, the light cycles at breakneck speed and for a moment to run but director Joe Kosinski of the world why he has been elected Tron, and why Disney spent so much money on your project. A wave of blue and yellow to bring carry out the grid impressive. It is in the truest sense of the word "genius". Inspires fear. This is the version of Tron that the fans for a 3D world for the arrival of the children have been waiting for the rich and vibrant with a new generation and make the purchase of toys light cycle left and right. Through the work of a few digital effects obviously costly, are Legacy us something very special.
But it only takes 20 minutes.
After this action scene we learn that Kevin Flynn still lives in the computer, gray-haired, old and trapped in a digital copy of the same name clusters (of a young bridges over others did not play so impressive CGI). Meeting with Kevin and his apprentice digital Quorra (Olivia Wilde), Sam comes up with a plan to the network clusters to share rule and his father back in the real world. One hour of exposure and various warnings later, you return to this mission.
It would be easy to make a punching bag of the script for Tron: Legacy. Is (almost) the allegory of Christ vomits in 1982 original, putting Sam Flynn in the game as "the Son of the Creator," hero of the oppressed masses of programs. And spend time talking to his audience and said, years of development of the system since the last film. But perhaps his greatest crime is lack of ambition. We live in a society where zeros and ones, which keeps us the "inside" near our factory own digital worlds at any time. That was not true in 1982 when Steve Lisberger and the first team to put our world of Tron. However, insists on maintaining the legacy feel outdated. Not only the inside of the machine when it is useful, but turns the machine on the premises of the cold in the conference room Encom. What? Software piracy? How progressive ...
Once again, it would be difficult to make a punching bag in this story. Not even worth starting the dialogue. Not that it makes no sense. In general, almost everything that happens good inLegacy the logic of the film. It is this lack of ambition and commitment to make unnecessary exposure to soft, which the second act of the film cold, sterile feeling. Color palette of the film, it's dark in the world of computers, but stagnation causes the eyes to go blurry. If Tron need anything, much less talk and more action to be.
Not only because it is necessary to accelerate, but also because that's where the film keeps its promise. Offers many spectacular action sequences and right now, everything works. stunning visual effects, a score kicks ass Daft Punk and even charisma Garrett Hedlund star is only the canvas in brilliant 3D. For these fateful moments, Tron: Legacy is an experiment.
That's Tron: Legacy will remain as beautiful disaster. At one point, with visual effects and action unlike anything we have seen before. Then, in another, shows us a CGI Jeff Bridges, which hardly comparable with The Polar Express Tom Hanks previously for five years. The world of Tron is built beautifully, but also mechanical and unattractive. Bachelor Pad is the scene of the film - boring, boring, but full of shiny toys and danger. Daft Punk results of the case in some points to perfection, with a mixture of nostalgia and modern rhythms, which is the only thing that keeps the movie. The performances are solid, even when working with uninspired dialogue. And Jeff Bridges.
Ultimately Tron: Legacy is a hell of a puzzle. We were promised it would be a cool movie. And sometimes a very cool movie. Had a much better film for the price Disney paid for it and scarf for the masses? Sure. Have you built a level of ridicule by his predecessor, an incredible legacy to live with? No, forget all of us, that the original Tron corny as it may be, usually a hole with great special effects were added. Legacy is simply the realization of that day. And as what has preceded, Tron Legacy nerve strike Geek dazzle the crowds and find their place in the heart of a niche audience. Because if he comes back, so cold that we seek.
And, oh boy, brings freshness.
Beyond: stunning graphics, excellent use of digital 3D and all fees are to go to a movie. And the guests of Daft Punk, Daft Punk oh guests.
The disadvantage is sometimes cold, mechanical and lifeless. Equipped with a story that lacks ambition and relentless delivery of the exposure.
On the side: unlike most of his contemporaries, was this film in 3D from the beginning rather than later shot post-production. The photographic material is used, a step further generation of 3D technology used online.
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